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Statuette Romaine d'Aurige Victorieux, II ème s.ap.J-C.

 
            

 

 

Une belle statuette d'auriga - ou conducteur de char - victorieux.
Tenant dans sa main droite une grande feuille de palme et couronné de laurier, il salue.

L'aurige porte une tunique courte qui est maintenue par plusieurs ceintures de cuirs. Il s'agit de l'habit traditionnel de l'aurige de course, comme on peut le voir sur une statue en marbre du Musée du Vatican.

Dans son livre "the private life of the Romans", publié en 1903, Harold Whetstone Johnston écrit :

The drivers (agitatores, aurigae) were slaves or freedmen, some of whom had won their freedom by their skill and daring in the course. The dress of the driver is shown in Figures (...); especially to be noticed are the close-fitting cap, the short tunic (always of the color of his factio), laced around the body with leather thongs, the straps of leather around the thighs, the shoulder pads, and the heavy leather protectors for the legs. Our football players wear like defensive armor. The reins were knotted together and passed around the driver’s body. In his belt he carried a knife to cut the reins in case he should be thrown from the car, or to cut the traces if a horse should fall and become entangled in them. The races gave as many opportunities then as now for skillful driving, and required even more strength and daring. What we should call “fouling” was encouraged. The driver might turn his team against another, or might upset the car of a rival if he could; having gained the inside track, he might drive out of the straight course to keep a swifter team from passing his. The rewards were proportionately great. The successful auriga, though his social station was low, was the pet and pride of the race-mad crowd, and under the Empire, at least, he was courted and fêted by high and low. The pay of successful drivers was extravagant, since the rival syndicates bid against one another for the services of the most popular. Rich presents were given the drivers when they won their races, not only by their factiones, but also by outsiders who had backed them and profited by their skill.

La main droite et les pieds sont manquants. Superbe conservation et détails. Revers accidenté.


                                                                                                                                                                                Composition : Bronze
                                                                                                                                                                                Origine : Empire Romain
                                                                                                                                                                                Provenance : Vente publique aux enchères, France
                                                                                                                                                                                Periode : II ème s.ap. J-C.
                                                                                                                                                                                Dimensions : L. : 9 cm (hors socle)

        Ref. : r-105  

   Prix & Conditions : EURO 3000 -

 

 

 
                    
 
1. Late Roman terracotta dish with a victorious auriga, in the Louvre.
2. Roman marble auriga statue in the Vatican museum.
3. Roman relief showing a racing auriga.

 

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